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159 public-domain works — paintings, drawings and anatomical plates — from Wikimedia Commons and The Metropolitan Museum of Art Open Access. Tap any image to zoom, pinch and pan; works marked ◎ have notes on key details.

Mona Lisa by Leonardo da Vinci◎ notes
Mona Lisa, Leonardo da Vinci (c. 1503–1519). Oil on poplar panel. Musée du Louvre, Paris. Source: Wikimedia Commons · Public domain
The Birth of Venus by Sandro Botticelli◎ notes
The Birth of Venus, Sandro Botticelli (c. 1484–1486). Tempera on canvas. Uffizi Galleries, Florence. Source: Wikimedia Commons · Public domain
The School of Athens by Raphael◎ notes
The School of Athens, Raphael (1509–1511). Fresco. Apostolic Palace, Vatican City. Source: Wikimedia Commons · Public domain
Primavera by Sandro Botticelli
Primavera, Sandro Botticelli (c. 1480). Tempera on panel. Uffizi Galleries, Florence. Source: Wikimedia Commons · Public domain
The Last Supper by Leonardo da Vinci◎ notes
The Last Supper, Leonardo da Vinci (c. 1495–1498). Tempera and oil on gesso (mural). Santa Maria delle Grazie, Milan. Source: Wikimedia Commons · Public domain
Lady with an Ermine by Leonardo da Vinci
Lady with an Ermine, Leonardo da Vinci (c. 1489–1491). Oil on walnut panel. Czartoryski Museum, Kraków. Source: Wikimedia Commons · Public domain
The Tempest by Giorgione
The Tempest, Giorgione (c. 1506–1508). Oil on canvas. Gallerie dell'Accademia, Venice. Source: Wikimedia Commons · Public domain
Bacchus and Ariadne by Titian
Bacchus and Ariadne, Titian (1520–1523). Oil on canvas. The National Gallery, London. Source: Wikimedia Commons · Public domain
Vitruvian Man by Leonardo da Vinci
Vitruvian Man, Leonardo da Vinci (c. 1490). Pen and ink with wash over metalpoint on paper. Gallerie dell'Accademia, Venice. Source: Wikimedia Commons · Public domain
Studies for the Libyan Sibyl by Michelangelo Buonarroti
Studies for the Libyan Sibyl, Michelangelo Buonarroti (ca. 1510–11). Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso). The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Head of the Virgin in Three-Quarter View Facing Right by Leonardo da Vinci
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci (1510–13). Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo). The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Head of a Man in Profile Facing to the Left by Leonardo da Vinci
Head of a Man in Profile Facing to the Left, Leonardo da Vinci (1490–94). Pen and brown ink, over soft black chalk. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
A Bear Walking by Leonardo da Vinci
A Bear Walking, Leonardo da Vinci (ca. 1482–85). silverpoint on light buff prepared paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Five Nude Infants in Various Poses by Raphael
Five Nude Infants in Various Poses, Raphael (ca. 1500). Metalpoint, traces of charcoal or black chalk, on pale pinkish gray prepared paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Study of a Man's Head by Jacopo da Pontormo
Study of a Man's Head, Jacopo da Pontormo (1520–25). Red chalk; stumping. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Arnolfini Portrait by Jan van Eyck◎ notes
The Arnolfini Portrait, Jan van Eyck (1434). Oil on oak panel. The National Gallery, London. Source: Wikimedia Commons · Public domain
The Garden of Earthly Delights by Hieronymus Bosch
The Garden of Earthly Delights, Hieronymus Bosch (c. 1490–1510). Oil on oak panels (triptych). Museo del Prado, Madrid. Source: Wikimedia Commons · Public domain
Hunters in the Snow by Pieter Bruegel the Elder◎ notes
Hunters in the Snow, Pieter Bruegel the Elder (1565). Oil on oak panel. Kunsthistorisches Museum, Vienna. Source: Wikimedia Commons · Public domain
The Ambassadors by Hans Holbein the Younger◎ notes
The Ambassadors, Hans Holbein the Younger (1533). Oil on oak panel. The National Gallery, London. Source: Wikimedia Commons · Public domain
The Tower of Babel by Pieter Bruegel the Elder
The Tower of Babel, Pieter Bruegel the Elder (1563). Oil on oak panel. Kunsthistorisches Museum, Vienna. Source: Wikimedia Commons · Public domain
Young Hare by Albrecht Dürer
Young Hare, Albrecht Dürer (1502). Watercolour and bodycolour on paper. Albertina, Vienna. Source: Wikimedia Commons · Public domain
Self-Portrait at 28 by Albrecht Dürer
Self-Portrait at 28, Albrecht Dürer (1500). Oil on lime panel. Alte Pinakothek, Munich. Source: Wikimedia Commons · Public domain
The Peasant Wedding by Pieter Bruegel the Elder
The Peasant Wedding, Pieter Bruegel the Elder (1567). Oil on oak panel. Kunsthistorisches Museum, Vienna. Source: Wikimedia Commons · Public domain
Head of a Young Woman by Albrecht Dürer
Head of a Young Woman, Albrecht Dürer (1522). Black chalk highlighted with white chalk (abraded) on green prepared paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Self-portrait, Study of a Hand and a Pillow by Albrecht Dürer
Self-portrait, Study of a Hand and a Pillow, Albrecht Dürer (1493). Pen and brown ink. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Bittern's Wings: study showing both sides by Albrecht Dürer
Bittern's Wings: study showing both sides, Albrecht Dürer (1515). Watercolor on vellum. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Portrait of John Poyntz by Hans Holbein the Younger
Portrait of John Poyntz, Hans Holbein the Younger (early 16th century). Black and red chalk (use of stumping), brush and brown wash and black ink. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Calling of Saint Matthew by Caravaggio◎ notes
The Calling of Saint Matthew, Caravaggio (1599–1600). Oil on canvas. San Luigi dei Francesi, Rome. Source: Wikimedia Commons · CC0
The Night Watch by Rembrandt van Rijn◎ notes
The Night Watch, Rembrandt van Rijn (1642). Oil on canvas. Rijksmuseum, Amsterdam. Source: Wikimedia Commons · Public domain
Las Meninas by Diego Velázquez◎ notes
Las Meninas, Diego Velázquez (1656). Oil on canvas. Museo del Prado, Madrid. Source: Wikimedia Commons · Public domain
Girl with a Pearl Earring by Johannes Vermeer◎ notes
Girl with a Pearl Earring, Johannes Vermeer (c. 1665). Oil on canvas. Mauritshuis, The Hague. Source: Wikimedia Commons · Public domain
The Milkmaid by Johannes Vermeer◎ notes
The Milkmaid, Johannes Vermeer (c. 1658). Oil on canvas. Rijksmuseum, Amsterdam. Source: Wikimedia Commons · Public domain
The Lacemaker by Johannes Vermeer
The Lacemaker, Johannes Vermeer (c. 1669–1670). Oil on canvas. Musée du Louvre, Paris. Source: Wikimedia Commons · Public domain
View of Delft by Johannes Vermeer
View of Delft, Johannes Vermeer (c. 1660–1661). Oil on canvas. Mauritshuis, The Hague. Source: Wikimedia Commons · Public domain
The Anatomy Lesson of Dr Nicolaes Tulp by Rembrandt van Rijn
The Anatomy Lesson of Dr Nicolaes Tulp, Rembrandt van Rijn (1632). Oil on canvas. Mauritshuis, The Hague. Source: Wikimedia Commons · Public domain
Self-Portrait with Two Circles by Rembrandt van Rijn
Self-Portrait with Two Circles, Rembrandt van Rijn (c. 1665–1669). Oil on canvas. Kenwood House, London. Source: Wikimedia Commons · Public domain
The Laughing Cavalier by Frans Hals
The Laughing Cavalier, Frans Hals (1624). Oil on canvas. The Wallace Collection, London. Source: Wikimedia Commons · Public domain
Still Life with a Gilded Goblet by Willem Claesz. Heda
Still Life with a Gilded Goblet, Willem Claesz. Heda (1635). Oil on panel. Rijksmuseum, Amsterdam. Source: Wikimedia Commons · Public domain
Vase with Flowers by Rachel Ruysch
Vase with Flowers, Rachel Ruysch (c. 1700). Oil on canvas. Mauritshuis, The Hague. Source: Wikimedia Commons · Public domain
Head of a Woman Looking to Upper Left by Annibale Carracci
Head of a Woman Looking to Upper Left, Annibale Carracci (1590–1600). Charcoal, highlighted with white chalk, on blue paper faded light- brown. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Seated Youth Facing Right, Seen from the Back by Annibale Carracci
Seated Youth Facing Right, Seen from the Back, Annibale Carracci (1560–1609). Red chalk with some white chalk highlights (recto); scribbles in red chalk (verso). The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Anatomical Studies: a left forearm in two positions and a right forearm by Peter Paul Rubens
Anatomical Studies: a left forearm in two positions and a right forearm, Peter Paul Rubens (ca. 1600–05). Pen and brown ink. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Portrait of Nicolas Trigault in Chinese Costume by Peter Paul Rubens
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens (1617). Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Study Sheet with Three Women and a Boy by Rembrandt
Study Sheet with Three Women and a Boy, Rembrandt (ca. 1638–39). Pen and brown ink. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Two Studies of a Woman Reading by Rembrandt
Two Studies of a Woman Reading, Rembrandt (1635–40). Pen and brown iron-gall ink. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Cottage among Trees by Rembrandt
Cottage among Trees, Rembrandt (ca. 1650). Pen and brown ink, brush and brown wash, on paper washed with brown. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Cottage near the Entrance to a Wood by Rembrandt
Cottage near the Entrance to a Wood, Rembrandt (1644). Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage). The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Landscape with the Rest on the Flight into Egypt by Claude Lorrain
Landscape with the Rest on the Flight into Egypt, Claude Lorrain (ca. 1635). Pen and brown ink, over black chalk. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Coast Scene with a View of Civitavecchia by Claude Lorrain
Coast Scene with a View of Civitavecchia, Claude Lorrain (1638). Black chalk, pen and brown ink, brush and brown wash with white heightening. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Young Woman with a Water Pitcher by Johannes Vermeer
Young Woman with a Water Pitcher, Johannes Vermeer (ca. 1662). Oil on canvas. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Blue Boy by Thomas Gainsborough
The Blue Boy, Thomas Gainsborough (c. 1770). Oil on canvas. The Huntington, San Marino, California. Source: Wikimedia Commons · Public domain
Study of a Woman's Head and Hands by Antoine Watteau
Study of a Woman's Head and Hands, Antoine Watteau (ca. 1717). Red and white chalk and graphite. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Seated Woman Holding a Fan by Antoine Watteau
Seated Woman Holding a Fan, Antoine Watteau (ca. 1717). Red, black, and white chalk on brown paper; framing lines in pen and black ink. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Studies of Hands and Feet by François Le Moyne
Studies of Hands and Feet, François Le Moyne (early 18th century). Red and black chalk, heightened with white, on beige paper. Framing lines in pen and brown ink. Lined. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Head of a Young Man in Three-Quarter View by Giovanni Battista Tiepolo
Head of a Young Man in Three-Quarter View, Giovanni Battista Tiepolo (18th century). Red chalk, highlighted with white chalk, on blue-gray paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
An Eagle with Wings Spread by Giovanni Battista Tiepolo
An Eagle with Wings Spread, Giovanni Battista Tiepolo (1696–1770). Charcoal, heightened with white chalk. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Seated Man Reading by Jean Honoré Fragonard
Seated Man Reading, Jean Honoré Fragonard (1774). Red chalk. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Portrait of a young woman seated by Thomas Gainsborough
Portrait of a young woman seated, Thomas Gainsborough (ca. 1760). Black chalk with touches of red wash. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Mountain Landscape with Figures and Buildings by Thomas Gainsborough
Mountain Landscape with Figures and Buildings, Thomas Gainsborough (mid-to-late 1780s). Black and white chalk with stumping, on blue-gray paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
A clump of trees by Thomas Gainsborough
A clump of trees, Thomas Gainsborough (ca. 1757). Graphite, brush and gray wash. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Death of Marat by Jacques-Louis David
The Death of Marat, Jacques-Louis David (1793). Oil on canvas. Royal Museums of Fine Arts of Belgium, Brussels. Source: Wikimedia Commons · Public domain
Grande Odalisque by Jean-Auguste-Dominique Ingres
Grande Odalisque, Jean-Auguste-Dominique Ingres (1814). Oil on canvas. Musée du Louvre, Paris. Source: Wikimedia Commons · Public domain
Madame Guillaume Guillon Lethière, née Marie-Joseph-Honorée Vanzenne, and her son Lucien Lethière by Jean Auguste Dominique Ingres
Madame Guillaume Guillon Lethière, née Marie-Joseph-Honorée Vanzenne, and her son Lucien Lethière, Jean Auguste Dominique Ingres (1808). Graphite. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Armand Bertin by Jean Auguste Dominique Ingres
Armand Bertin, Jean Auguste Dominique Ingres (1842). Graphite. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Niccolò Paganini (1782–1840) by Jean Auguste Dominique Ingres
Niccolò Paganini (1782–1840), Jean Auguste Dominique Ingres (ca. 1830). Counterproof or tracing strengthened with graphite and gouache on translucent paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Watson and the Shark by John Singleton Copley
Watson and the Shark, John Singleton Copley (1778). Oil on canvas. National Gallery of Art, Washington. Source: Wikimedia Commons · Public domain
The Third of May 1808 by Francisco Goya◎ notes
The Third of May 1808, Francisco Goya (1814). Oil on canvas. Museo del Prado, Madrid. Source: Wikimedia Commons · Public domain
Wanderer above the Sea of Fog by Caspar David Friedrich◎ notes
Wanderer above the Sea of Fog, Caspar David Friedrich (c. 1817–1818). Oil on canvas. Hamburger Kunsthalle, Hamburg. Source: Wikimedia Commons · Public domain
The Hay Wain by John Constable◎ notes
The Hay Wain, John Constable (1821). Oil on canvas. The National Gallery, London. Source: Wikimedia Commons · Public domain
Flatford Mill by John Constable
Flatford Mill, John Constable (1816–1817). Oil on canvas. Tate Britain, London. Source: Wikimedia Commons · Public domain
The Fighting Temeraire by J. M. W. Turner◎ notes
The Fighting Temeraire, J. M. W. Turner (1839). Oil on canvas. The National Gallery, London. Source: Wikimedia Commons · Public domain
Rain, Steam and Speed by J. M. W. Turner
Rain, Steam and Speed, J. M. W. Turner (1844). Oil on canvas. The National Gallery, London. Source: Wikimedia Commons · Public domain
Snow Storm: Steam-Boat off a Harbour's Mouth by J. M. W. Turner
Snow Storm: Steam-Boat off a Harbour's Mouth, J. M. W. Turner (1842). Oil on canvas. Tate Britain, London. Source: Wikimedia Commons · Public domain
Liberty Leading the People by Eugène Delacroix◎ notes
Liberty Leading the People, Eugène Delacroix (1830). Oil on canvas. Musée du Louvre, Paris. Source: Wikimedia Commons · Public domain
The Raft of the Medusa by Théodore Géricault◎ notes
The Raft of the Medusa, Théodore Géricault (1818–1819). Oil on canvas. Musée du Louvre, Paris. Source: Wikimedia Commons · Public domain
The Oxbow by Thomas Cole
The Oxbow, Thomas Cole (1836). Oil on canvas. The Metropolitan Museum of Art, New York. Source: Wikimedia Commons · Public domain
Self-Portrait by Goya
Self-Portrait, Goya (ca. 1796). Brush and point of brush, carbon black ink. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Studies of Horses, Hands, and Feet by Eugène Delacroix
Studies of Horses, Hands, and Feet, Eugène Delacroix (ca. 1822–27). Pen and brown and iron gall ink (recto); graphite, pen and iron gall ink, brush and brown wash (verso). The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Study of a Horse by Eugène Delacroix
Study of a Horse, Eugène Delacroix (ca. 1824–29). Brush and brown and black wash over graphite. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Fort of L'Esseillon, Val de la Maurienne, France by Joseph Mallord William Turner
The Fort of L'Esseillon, Val de la Maurienne, France, Joseph Mallord William Turner (1835–36). Watercolor. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Gleaners by Jean-François Millet
The Gleaners, Jean-François Millet (1857). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
A Burial at Ornans by Gustave Courbet
A Burial at Ornans, Gustave Courbet (1849–1850). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
The Horse Fair by Rosa Bonheur
The Horse Fair, Rosa Bonheur (1852–1855). Oil on canvas. The Metropolitan Museum of Art, New York. Source: Wikimedia Commons · Public domain
Arrangement in Grey and Black No. 1 by James McNeill Whistler
Arrangement in Grey and Black No. 1, James McNeill Whistler (1871). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
The Gross Clinic by Thomas Eakins
The Gross Clinic, Thomas Eakins (1875). Oil on canvas. Philadelphia Museum of Art. Source: Wikimedia Commons · Public domain
The Floor Scrapers by Gustave Caillebotte
The Floor Scrapers, Gustave Caillebotte (1875). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
Olympia by Édouard Manet
Olympia, Édouard Manet (1863). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
Roadworkers at Lunch by Jean-François Millet
Roadworkers at Lunch, Jean-François Millet (ca. 1850–52). Conté crayon with stumping, heightened with white gouache, on laid paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Man with a Spade by Jean-François Millet
Man with a Spade, Jean-François Millet (ca. 1855–58). Conté crayon. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Women Carrying Faggots by Jean-François Millet
Women Carrying Faggots, Jean-François Millet (ca. 1858). Charcoal heightened with white gouache, charcoal border, on heavy laid gray-blue paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
A Bar at the Folies-Bergère by Édouard Manet◎ notes
A Bar at the Folies-Bergère, Édouard Manet (1882). Oil on canvas. The Courtauld, London. Source: Wikimedia Commons · Public domain
Impression, Sunrise by Claude Monet◎ notes
Impression, Sunrise, Claude Monet (1872). Oil on canvas. Musée Marmottan Monet, Paris. Source: Wikimedia Commons · Public domain
Woman with a Parasol by Claude Monet
Woman with a Parasol, Claude Monet (1875). Oil on canvas. National Gallery of Art, Washington. Source: Wikimedia Commons · Public domain
Reflections of Clouds on the Water-Lily Pond by Claude Monet
Reflections of Clouds on the Water-Lily Pond, Claude Monet (c. 1920). Oil on canvas. Museum of Modern Art, New York. Source: Wikimedia Commons · Public domain
Stacks of Wheat (End of Summer) by Claude Monet
Stacks of Wheat (End of Summer), Claude Monet (1890–1891). Oil on canvas. Art Institute of Chicago. Source: Wikimedia Commons · Public domain
Bal du moulin de la Galette by Pierre-Auguste Renoir
Bal du moulin de la Galette, Pierre-Auguste Renoir (1876). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
Luncheon of the Boating Party by Pierre-Auguste Renoir
Luncheon of the Boating Party, Pierre-Auguste Renoir (1880–1881). Oil on canvas. The Phillips Collection, Washington. Source: Wikimedia Commons · Public domain
Two Sisters (On the Terrace) by Pierre-Auguste Renoir
Two Sisters (On the Terrace), Pierre-Auguste Renoir (1881). Oil on canvas. Art Institute of Chicago. Source: Wikimedia Commons · Public domain
Paris Street; Rainy Day by Gustave Caillebotte
Paris Street; Rainy Day, Gustave Caillebotte (1877). Oil on canvas. Art Institute of Chicago. Source: Wikimedia Commons · Public domain
The Dance Class by Edgar Degas
The Dance Class, Edgar Degas (1873–1876). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
The Cradle by Berthe Morisot
The Cradle, Berthe Morisot (1872). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
The Child's Bath by Mary Cassatt
The Child's Bath, Mary Cassatt (1893). Oil on canvas. Art Institute of Chicago. Source: Wikimedia Commons · Public domain
Dancer Adjusting Her Slipper by Edgar Degas
Dancer Adjusting Her Slipper, Edgar Degas (1873). Graphite heightened with black and white chalk on pink wove paper (now faded); squared for transfer. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Dancer with a Fan by Edgar Degas
Dancer with a Fan, Edgar Degas (ca. 1880). Pastel on gray-green laid paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Dancer Onstage by Edgar Degas
Dancer Onstage, Edgar Degas (ca. 1877). Gouache over graphite underdrawing on thin wove commercially coated yellow paper, laid down on board. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Landscape by Auguste Renoir
Landscape, Auguste Renoir (1889). Watercolor on off-white laid paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
A Sunday on La Grande Jatte by Georges Seurat◎ notes
A Sunday on La Grande Jatte, Georges Seurat (1884–1886). Oil on canvas. Art Institute of Chicago. Source: Wikimedia Commons · Public domain
The Starry Night by Vincent van Gogh◎ notes
The Starry Night, Vincent van Gogh (1889). Oil on canvas. Museum of Modern Art, New York. Source: Wikimedia Commons · Public domain
Sunflowers by Vincent van Gogh
Sunflowers, Vincent van Gogh (1888). Oil on canvas. The National Gallery, London. Source: Wikimedia Commons · Public domain
Irises by Vincent van Gogh
Irises, Vincent van Gogh (1889). Oil on canvas. J. Paul Getty Museum, Los Angeles. Source: Wikimedia Commons · Public domain
Café Terrace at Night by Vincent van Gogh
Café Terrace at Night, Vincent van Gogh (1888). Oil on canvas. Kröller-Müller Museum, Otterlo. Source: Wikimedia Commons · Public domain
The Bedroom by Vincent van Gogh
The Bedroom, Vincent van Gogh (1888). Oil on canvas. Van Gogh Museum, Amsterdam. Source: Wikimedia Commons · Public domain
Self-Portrait with Bandaged Ear by Vincent van Gogh
Self-Portrait with Bandaged Ear, Vincent van Gogh (1889). Oil on canvas. The Courtauld, London. Source: Wikimedia Commons · Public domain
The Card Players by Paul Cézanne
The Card Players, Paul Cézanne (1890–1895). Oil on canvas. Musée d'Orsay, Paris. Source: Wikimedia Commons · Public domain
Mont Sainte-Victoire by Paul Cézanne
Mont Sainte-Victoire, Paul Cézanne (c. 1887). Oil on canvas. The Courtauld, London. Source: Wikimedia Commons · Public domain
The Basket of Apples by Paul Cézanne
The Basket of Apples, Paul Cézanne (c. 1893). Oil on canvas. Art Institute of Chicago. Source: Wikimedia Commons · Public domain
Where Do We Come From? What Are We? Where Are We Going? by Paul Gauguin
Where Do We Come From? What Are We? Where Are We Going?, Paul Gauguin (1897–1898). Oil on canvas. Museum of Fine Arts, Boston. Source: Wikimedia Commons · Public domain
The Sleeping Gypsy by Henri Rousseau
The Sleeping Gypsy, Henri Rousseau (1897). Oil on canvas. Museum of Modern Art, New York. Source: Wikimedia Commons · Public domain
Aman-Jean (Portrait of Edmond François Aman-Jean) by Georges Seurat
Aman-Jean (Portrait of Edmond François Aman-Jean), Georges Seurat (1882–83). Conté crayon on Michallet paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Embroidery; The Artist's Mother by Georges Seurat
Embroidery; The Artist's Mother, Georges Seurat (1882–83). Conté crayon. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Courbevoie: Factories by Moonlight by Georges Seurat
Courbevoie: Factories by Moonlight, Georges Seurat (1882–83). Conté crayon. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Street in Saintes-Maries-de-la-Mer by Vincent van Gogh
Street in Saintes-Maries-de-la-Mer, Vincent van Gogh (ca. July 15, 1888). Reed pen, quill, and brown ink over graphite on wove paper (laid down on wove paper; tack holes in all corners); later additions (by a restorer?) in black chalk, lower and upper right. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Road in Etten by Vincent van Gogh
Road in Etten, Vincent van Gogh (1881). Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Nursery on Schenkweg by Vincent van Gogh
Nursery on Schenkweg, Vincent van Gogh (March–May 1882). Black chalk, graphite, pen, brush, and ink, heightened with white body color on laid paper watermarked ED & CIE (in a cartouche). The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Entrance to a Garden by Paul Cézanne
Entrance to a Garden, Paul Cézanne (1878–80). Watercolor over graphite. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Still-Life with a Watermelon and Pomegranates by Paul Cézanne
Still-Life with a Watermelon and Pomegranates, Paul Cézanne (1900–1906). Watercolor over graphite on laid paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Shoes by Vincent van Gogh
Shoes, Vincent van Gogh (1888). Oil on canvas. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
Still Life with Apples and a Pot of Primroses by Paul Cézanne
Still Life with Apples and a Pot of Primroses, Paul Cézanne (ca. 1890). Oil on canvas. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Great Wave off Kanagawa by Katsushika Hokusai◎ notes
The Great Wave off Kanagawa, Katsushika Hokusai (c. 1831). Woodblock print; ink and colour on paper. Many impressions (this: Commons scan). Source: Wikimedia Commons · Public domain
Fine Wind, Clear Morning (Red Fuji) by Katsushika Hokusai
Fine Wind, Clear Morning (Red Fuji), Katsushika Hokusai (c. 1830–1832). Woodblock print; ink and colour on paper. The Metropolitan Museum of Art, New York. Source: Wikimedia Commons · CC0
Plum Park in Kameido by Utagawa Hiroshige
Plum Park in Kameido, Utagawa Hiroshige (1857). Woodblock print; ink and colour on paper. Rijksmuseum, Amsterdam. Source: Wikimedia Commons · Public domain
Sudden Shower over Shin-Ōhashi Bridge and Atake by Utagawa Hiroshige
Sudden Shower over Shin-Ōhashi Bridge and Atake, Utagawa Hiroshige (1857). Woodblock print; ink and colour on paper. Many impressions (this: Commons scan). Source: Wikimedia Commons · Public domain
Three Beauties of the Present Day by Kitagawa Utamaro
Three Beauties of the Present Day, Kitagawa Utamaro (c. 1792–1793). Woodblock print; ink, colour and mica on paper. Museum of Fine Arts, Boston. Source: Wikimedia Commons · Public domain
Sparrows by Katsushika Hokusai
Sparrows, Katsushika Hokusai (ca. 1825). Sketch for a woodblock print; ink and color on paper. The Metropolitan Museum of Art, New York. Source: The Metropolitan Museum of Art · CC0 (Met Open Access)
The Scream by Edvard Munch
The Scream, Edvard Munch (1893). Oil, tempera and pastel on cardboard. National Museum, Oslo. Source: Wikimedia Commons · Public domain
The Kiss by Gustav Klimt◎ notes
The Kiss, Gustav Klimt (1907–1908). Oil and gold leaf on canvas. Belvedere, Vienna. Source: Wikimedia Commons · Public domain
Portrait of Adele Bloch-Bauer I by Gustav Klimt
Portrait of Adele Bloch-Bauer I, Gustav Klimt (1907). Oil, silver and gold on canvas. Neue Galerie, New York. Source: Wikimedia Commons · Public domain
The Lady of Shalott by Elizabeth Siddal
The Lady of Shalott, Elizabeth Siddal (1853). Pen, ink and sepia on paper. Private collection. Source: Wikimedia Commons · Public domain
The Blue Rider by Wassily Kandinsky
The Blue Rider, Wassily Kandinsky (1903). Oil on canvas. Foundation E.G. Bührle, Zurich. Source: Wikimedia Commons · Public domain
Composition VII by Wassily Kandinsky
Composition VII, Wassily Kandinsky (1913). Oil on canvas. State Tretyakov Gallery, Moscow. Source: Wikimedia Commons · Public domain
Skeleton, front view (De humani corporis fabrica) by Andreas Vesalius (woodcut attributed to the workshop of Titian)
Skeleton, front view (De humani corporis fabrica), Andreas Vesalius (woodcut attributed to the workshop of Titian) (1543). Plate / drawing. Source: Wikimedia Commons · Public domain
Skeleton, side view (De humani corporis fabrica) by Andreas Vesalius
Skeleton, side view (De humani corporis fabrica), Andreas Vesalius (1543). Plate / drawing. Source: Wikimedia Commons · Public domain
Skeleton, back view (De humani corporis fabrica) by Andreas Vesalius
Skeleton, back view (De humani corporis fabrica), Andreas Vesalius (1543). Plate / drawing. Source: Wikimedia Commons · Public domain
First plate of the muscles (De humani corporis fabrica) by Andreas Vesalius
First plate of the muscles (De humani corporis fabrica), Andreas Vesalius (1543). Plate / drawing. Source: Wikimedia Commons · Public domain
Muscle plate (De humani corporis fabrica) by Andreas Vesalius
Muscle plate (De humani corporis fabrica), Andreas Vesalius (1543). Plate / drawing. Source: Wikimedia Commons · Public domain
The skull sectioned by Leonardo da Vinci
The skull sectioned, Leonardo da Vinci (1489). Plate / drawing. Source: Wikimedia Commons · Public domain
The muscles of the shoulder by Leonardo da Vinci
The muscles of the shoulder, Leonardo da Vinci (c. 1510–1511). Plate / drawing. Source: Wikimedia Commons · Public domain
Superficial anatomy of the shoulder and neck by Leonardo da Vinci
Superficial anatomy of the shoulder and neck, Leonardo da Vinci (c. 1510–1511). Plate / drawing. Source: Wikimedia Commons · Public domain
The bones and muscles of the arm by Leonardo da Vinci
The bones and muscles of the arm, Leonardo da Vinci (c. 1510–1511). Plate / drawing. Source: Wikimedia Commons · Public domain
The bones of the hand by Leonardo da Vinci
The bones of the hand, Leonardo da Vinci (c. 1510–1511). Plate / drawing. Source: Wikimedia Commons · Public domain
The bones, muscles and tendons of the hand by Leonardo da Vinci
The bones, muscles and tendons of the hand, Leonardo da Vinci (c. 1510–1511). Plate / drawing. Source: Wikimedia Commons · Public domain
Two studies of a man's left leg in profile by Leonardo da Vinci
Two studies of a man's left leg in profile, Leonardo da Vinci (c. 1500s). Plate / drawing. Source: Wikimedia Commons · Public domain
Skull, side view (Gray's Anatomy, fig. 188) by Henry Vandyke Carter for Henry Gray
Skull, side view (Gray's Anatomy, fig. 188), Henry Vandyke Carter for Henry Gray (1918 edition). Plate / drawing. Source: Wikimedia Commons · Public domain
Muscles of the head, face and neck (Gray's Anatomy, fig. 378) by Henry Vandyke Carter for Henry Gray
Muscles of the head, face and neck (Gray's Anatomy, fig. 378), Henry Vandyke Carter for Henry Gray (1918 edition). Plate / drawing. Source: Wikimedia Commons · Public domain
Muscles of the back (Gray's Anatomy, fig. 409) by Henry Vandyke Carter for Henry Gray
Muscles of the back (Gray's Anatomy, fig. 409), Henry Vandyke Carter for Henry Gray (1918 edition). Plate / drawing. Source: Wikimedia Commons · Public domain
Superficial muscles of the chest and arm (Gray's Anatomy, fig. 411) by Henry Vandyke Carter for Henry Gray
Superficial muscles of the chest and arm (Gray's Anatomy, fig. 411), Henry Vandyke Carter for Henry Gray (1918 edition). Plate / drawing. Source: Wikimedia Commons · Public domain
Bones of the left hand, palm view (Gray's Anatomy, fig. 219) by Henry Vandyke Carter for Henry Gray
Bones of the left hand, palm view (Gray's Anatomy, fig. 219), Henry Vandyke Carter for Henry Gray (1918 edition). Plate / drawing. Source: Wikimedia Commons · Public domain
Bones of the left foot, top view (Gray's Anatomy, fig. 268) by Henry Vandyke Carter for Henry Gray
Bones of the left foot, top view (Gray's Anatomy, fig. 268), Henry Vandyke Carter for Henry Gray (1918 edition). Plate / drawing. Source: Wikimedia Commons · Public domain
Bones of the foot, outer side (Gray's Anatomy) by Henry Vandyke Carter for Henry Gray
Bones of the foot, outer side (Gray's Anatomy), Henry Vandyke Carter for Henry Gray (1918 edition). Plate / drawing. Source: Wikimedia Commons · Public domain

All images are in the public domain (or CC0). Each caption links to the source page with full licence details.